Showing posts with label st. lucia. Show all posts
Showing posts with label st. lucia. Show all posts

Sunday, January 31, 2016

I call it as I see it

An interesting question on decision-making popped up on Facebook last week. Stan Bishop, one of my favourite local reporters asked:  “Which is better -- running around in circles or being stuck at square one?”

Well, for me, the answer was easy

Somewhere to go

“I'm going for stuck at square one. You know its square 1 and there are others to get to. Being stuck is only permanent if you let it be. Keep checking for a solution and you'll get one eventually. Circles....well, that's the definition of madness - doing the same thing over n over again”

But reading others’ ideas was interesting and made me realize, yet again, that whatever your problem, how you look at it determines how you find a solution – and nobody can tell us all the ‘right’ way to see things.

Stagnation

Vernita had a completely different take to mine: “The fact of being stuck at square one sounds very stagnant I have hot feet so I will opt for going round in circles. Maybe, just maybe whilst going round in circles I may encounter something or someone that will help change the circumstance.”

Two-for-One

Faye-Chantelle’s comment looked at both options “They are both equally bad to be very frank, however being stuck at square one allows you time to re-evaluate your strategy, while running around in circles takes you absolutely nowhere, but back to the starting point and of course provides good exercise...Personally, I rather the circles, cause it allows for wonderful physical activity while simultaneously offering much needed re-evaluation time... (Strategy-wise)... So in essence it’s 'killing two birds with one stone' and the best of both worlds... in an odd, not so productive kind of way :-)”

I read somewhere that when Buddha advised people to follow the path to enlightenment, he actually didn’t mean, do as he did, except in that you should find your own path, like he did.

Balance of Open and Focus

So, I just tried to write a few ‘take-aways’, (see list below - there are some possibilities in there J ) but really, the main thing is that we can tend to get caught up in just doing things the way we are used to, I call it as I see it…but this can result in our sight being (un)fairly limited. 

There are many ways to get somewhere: Being open to possibilities while focused on finding ways forward is probably the best combination of attitudes to get you going forward. Whether you adopt a meditative run round in circles, (labyrinths come to mind) or you stop for a moment where you are, at square one, (seated meditation?) and open up from there matters much less than being open and trusting that a solution is there.

Be ready to let go your assumptions, try a different approach, sometimes the change in habits is enough to crack the door and let the light in and be able to see something that you didn't know was there before

I call it as I see it...Mermaid
The Cutting-Room Floor clips:
  • While “whatever works for you” may be good advice most of the time, there’s bound to come a point where we have to be able to open our minds and look for new ways to do things
  • A leader, vs ‘a boss’ – Good leaders help people stay focused but let them use their own methods once they are able to get through to a solution
  • People take different approaches and what works for you may not work for another
  • Your answers are your answers and mine are mine, and they may or may not coincide.
  • Whatever works for you is your right answer/right path


WINNERS!!! Well, I had exactly TWO (2) people take last week's challenge and guess how many emails I'd unsubscribed to in the week - both were nowhere near close - one guessed 15 and the other 527! Well, it was 104 at the time and is now 132 today. So both of you - Don and Jeannette - you'll each get a calendar - send me your physical address to this email: finolaphoto@yahoo.com and it will wing it's way to you...

Monday, May 20, 2013

The Hot Couture Affair - by Norbert Williams


I participated in this event at the invite of my friend and colleague, designer, Lyn Bristol of LBM Designs - it was a good show - but I knew it had 'issues' in the lead up, planning and management. I was interested in taking part as soon as I heard that Vincent McDoom was going to be the Creative Director - a local who had left St. Lucia years ago and excelled in France working in fashion houses and on TV - as a celebrity guest, host, judge on Tyra Banks' Top Model shows and more - he is a character for sure, but he has truly excelled and I admire his success in a world I know is tough and super-highly competetive.

Caribbean Media: 2013 'Hot' Couture &emdash;
My necklace and earrings on LBM Designs at Hot Couture Fashion Show 2013


But my history as a designer - artisan goes way back with the St. Lucia Jazz Festival and it is largely a history of not being happy or satisfied with what's provided for local talent of all kinds, say so, particularly in my area - to the persons who are responsible - writing emails, going to meetings, meeting the consultants who reviewed the festival and came up with this year's new version the St. Lucia Jazz & Arts Festival. Well, let's just say, we are not off to a great start from the standpoint of the artisans and designers....the Hot Couture show was good because those involved as desingers and models and the artistic director in particular, sought to put their best foot forward...but read here for a review - by an independent St. Lucian (not a designer) who wanted to bring some facts to light - please do comment.

I will also post comments from Facebook as soon as I have permission from the commenters to do so


Not in the cumulative history of modeling in St. Lucia has there ever been such drama, intrigue, mauvais langue, inflated egos, and downright bullshittery as has been witnessed surrounding the HOT COUTURE fashion/modeling aspect of St. Lucia Jazz and Arts Festival 2013. As I see it this sordid affair is more than just HOT COUTURE. It is more than Vincent Mc Doom or the St. Lucia Tourist Board (SLTB). It is more than the models or designers. It is more than Jazz. Under the microscope is how we conduct business in St. Lucia; how we treat our own people vis-a-vis how we treat foreigners, and what we accept or are forced to accept.

Sitting down here in my lopsided chair trying to decide where to begin is a task in itself. There are so many angles and perspectives it dulls the mind. So many people, so many interests, so many stories, all important in the final big picture. So rather than beginning in 2013 I will roll back the clock and kick off where I feel is a more appropriate commencement in this scheme of things. The year, 1991.

In 1991 the US indicts two Libyans in the 1988 bombing of Pan Am Flight 103 over Lockerbie, Scotland; Warsaw Pact dissolved; Boris Yeltsin becomes first freely elected president of Russian Republic; Professor Anita Hill accuses Judge Clarence Thomas of sexual harassment; Soviet Union breaks up after President Gorbachev's resignation; St. Lucia has it's first ever Jazz Festival.

The St. Lucia Jazz Festival was created to boost the island's tourism industry during the time of year when hotel occupancy was at it's lowest as a result of the end of the winter season. After consultations with a foreign and local entities it was decided that a jazz festival would be an ideal marketing tool in attracting visitors to the island during this waning period. It was decided that big name international jazz artistes would be on the lineup in order to have maximum appeal. It must be noted that from the inception the St. Lucia Tourist Board (SLTB) was primarily concerned with the filling of airline seats and hotel rooms. At time there was minimal, if any, focus on local talent or participation. The bulk of funding evidently went to foreign artistes and production.

In my opinion this concept was flawed from it's very inception. The SLTB focused on foreign tourism as the only salvation for a waning tourism sector during that time of year. However local tourism seems to have been totally ignored and continues to be neglected as a source of significant revenue during this low season. I beg to suggest that traveling from Vieux Fort to Castries for whatever reason, whether it be Jazz or shopping, or cricket at Beausejour, these individuals are indeed tourists. If we are to suggest the introduction of sports, medical, or university (medical schools) as tourism, then our own traveling to support these services should therefore be considered as local tourism. In all sincerity they do spend money on transportation, housing, tickets, meals, and entertainment, in the same manner as foreign tourists. For example, a person traveling within New York state, from Albany to New York City is considered a tourist. There is no differentiation just because they are within the same state.

Over the years there has been an almost resistant inclusion of local artistes into the jazz festival. There have been brouhahas through the years with artistes complaining and boycotting the event with claims of unfair treatment, lack of appreciation for their skills, and minimal compensation for their performances.

2013 has seen the re-branding of St. Lucia Jazz to include the arts. As part of this endeavour it was decided to incorporate a fashion and modeling aspect to the festival. The SLTB realized they did not have the expertise to produce such a show and as a result contacted Vincent Mc Doom to advise on the production of such a show. Vincent accepted their request for assistance and came on board as the Artistic Director. This was confirmed in a telephone interview on Friday with SLTB Director Louis Lewis. As part of the agreement Vincent Mc Doom's airfare, hotel accommodations, transportation, and other perks would have been paid by the SLTB. Vincent Mc Doom offered to render his services free of charge as a St. Lucian giving back to his country.

I find it fitting at this time to include a link to the definition of the role and responsibilities of an artistic director:
http://en.wikipedia.org/wiki/Artistic_director

On the announcement of Vincent Mc Doom's appointment Shamark Leon, Director of Silhouette Fashion House took to the airwaves to voice his discontentment.
http://www.youtube.com/watch?v=0Nm92cGTHE8

Internet Movie Database for Vincent Mc Doom
http://www.imdb.com/name/nm1357321/

On viewing this response from Shamark Leon I anticipated an immediate response or some form of action from the SLTB in order to mitigate any fallout or negative repercussions from the statements made. Lamentably there were none. This was also confirmed by the Director of the SLTB, Louis Lewis during my telephone interview on Friday. He said there were thirteen events to coordinate and as such they did not want to be distracted by these happenings. This only allowed the situation to spin further out of control. I wonder if we had another bus hijack during that time whether the SLTB's response would have been the same? Could it be that this episode only involved locals and therefore was no big deal?

Here is part of my telephone interview with Vincent Mc Doom on Thursday afternoon:

Me: How did you become involved with the HOT COUTURE aspect of St. Lucia Jazz and Arts 2013?
Vincent:  I was contacted by the SLTB to advise and coordinate the show in the capacity of artistic director.

Me: Was there a contract defining your role and responsibilities?
Vincent: No there was not. I accepted the offer and volunteered to do it for free as a way of giving something   back to St. Lucia.

Me: What really caused the problems which surfaced during the lead up to the show?
Vincent: I was disenchanted by the pittance which was offered to the models. It really upset me that these young people who we claimed to be helping were being offered such a pittance for their hard work. Imagine being offered $60-$75 to participate in a show of this magnitude. I would not have it happening under my guidance. It was exploitation in my books and I did not like it. The impression I got was as if they should feel honoured that they even got the opportunity to be a part of the show and should cherish that. Mae and I suggested that the SLTB pay the models $700 each for their participation. The SLTB said this was not in their budget and could not afford to pay that amount, and as a result we settled for each model to be paid $500.

Me: What happened with the stage?
Vincent: Well, as the artistic director it is my responsibility to oversee the whole production process. My vision of the theme and format of the presentation falls clearly within the framework of the artistic director. I was surprised and taken aback when I was presented on the day before the event with a stage that I had no input whatsoever.

Me: In light of what has happened would you be willing to return next year and participate in another production and would you be willing to work with the SLTB?
Vincent: Norbert, I am dedicated to helping models in St. Lucia. I have no problem in working with the SLTB or anyone else.


Kudos must be given to the St. Lucia Tourist Board though. Their accomplishment with Jazz in St. Lucia has been monumental in its success. Notwithstanding the myopic view with which Jazz was formulated they have worked relentlessly in sustaining it's international prominence. They have filled hotel rooms. They have provided employment in all the ancillary services during this period of otherwise low occupancy.
Here is part of my telephone interview with SLTB Director Louis Lewis on Friday morning:

Me: There has been much contention over the capacity in which Vincent Mc Doom was brought in by the SLTB to participate in HOT COUTURE. What was his official capacity?
Louis: We recognized that we did not have the expertise in the SLTB to handle the production of this show. As a result we reached out to Vincent Mc Doom in Paris and expressed our interest in having him assist. He accepted and volunteered to render his services for free. He was taken aboard as the Artistic Director. Vincent's role was to select and train the models as we wanted an entirely St Lucian cast, as well his artistic input in the production .

Me: What happened on the day before the show?
Louis: 26 hours before the show was due to open Vincent was at the Audi Showroom. He was not pleased with the runway which had been constructed by Adrian Augier. He had other ideas for what the runway should be and made requests for the change. Particularly that it be mirrored, among other changes. I informed him that at this late hour there was really not much which could have been done. There were heated words between us but that was that.

Me: Yesterday I conducted a telephone interview with Vincent Mc Doom. He said that despite all that had transpired he is still willing to work with the SLTB or anyone else next year in hosting another HOT COUTURE event. Would you be willing to work with him in the interest of St. Lucia.
Louis: Well, I can tell you that I have no problem with Vincent personally. I believe that he is sincere about his intentions to assist his country. However, that is my personal position. The decision of the SLTB is not left entirely up to me.

Me: Is there anything more you would like to say on behalf of the SLTB?
Louis: All I can tell you at this time is that a press conference has been scheduled for Wednesday, 22nd. May, 2013 at 10 AM.


So, can cooler heads prevail in the interest of our own progress and betterment? Can we put aside our overinflated egos and work together? Squabbles such as this occur all the time in the entertainment and modelling industry. St. Lucia's experience of this is minor in the big scheme of things. The question remains as to whether the persons involved are mature enough to let go of their bruised egos. The silence from the SLTB has been deafening. 

In the midst of this uproar certain individual actions have come to light. Utterances in private and among friends are just as important or consequential as those made in the public domain. Private comments are even more revealing as they expose inner feelings and attitudes which would otherwise not be exposed in public. It has been brought to my attention that a senior member of the SLTB changed their BB status message on Wednesday to the following, "I'm so over HOT COUTURE!! MOVE ON people!!!!"

Seriously!?? Am I now to assume that this person has any interest in dealing with the issues at hand pertaining to this matter? Is this individual truly concerned about the interests of ALL St. Lucians affected? Should we expect any serious consideration of the issues and complaints surrounding HOT COUTURE by this individual? If anything, this BB status suggests a dismissive tone. One of contempt and disdain. The next question to ask is whether this attitude is pervasive within the SLTB?

Sunlight is the best disinfectant, a well-known quote from U.S. Supreme Court Justice Louis Brandeis, and refers to the benefits of openness and transparency. Many of the personal messages and comments I have received overwhelmingly suggest that a large number of St. Lucians believe that the SLTB is an entity unto itself and does not have to answer to anyone. Many people remain silent even though they agree with the grievances expressed. There seems to be a subtle apprehension that individuals who speak out will be targeted and discriminated against. Where is this fear coming? Is this a figment of their imagination or has there been evidence of such retribution. Even in my lead up postings during this past week I have had persons who have forcefully suggested that I "drop" the story. That "this thing needs to be put to rest." I wonder how we can progress and learn from past mistakes if we avoid critically discussing issues such as this. Whether we like it or not this dirty laundry can be cleaned up.

If the U.S. can be allies with Japan after 2402 Americans were killed at Pearl Harbor by these same Japanese; if Japan can turn around and also be allies with the U.S. after atom bombs were dropped on Hiroshima and Nagasaki killing approx. 244,000 people; if the current tourism minister Lorne Theophilus can jump ship from the UWP and become a candidate and minister in the SLP; if George Odlum could team up with John Compton on the William Peter Boulevard in what was described as an "Unholy Alliance"; if Vaughn Lewis can jump from the UWP to SLP and be received with open arms; surely Vincent Mc Doom and the SLTB can work hand in hand again in the interest of St. Lucia. Anyone suggesting otherwise is naive and and unrealistic.

Lets be clear. Vincent Mc Doom is damn good at what he does! His accomplishment speaks for itself. A poor St. Lucian boy who made his way out of St. Lucia with little fanfare. Someone who has seen exploitation in the modeling and fashion industry firsthand, Vincent's success was no mistake or stroke of luck. To achieve his level of celebrity and prominence in an industry of sharks and barracudas says much about the individual. He is not a perfect man. Neither is he the most politically correct nor diplomatic in how he presents his arguments. However we need to sometimes distance ourselves from the emotional aspects of a person's argument and focus on the content which is valid. In criticizing Vincent's complaints too many people have zeroed in on his personality rather than address the real issues at hand. There seems to be a concerted effort to completely ignore the message and shoot the messenger. Regardless of how anyone feels about the issues which Vincent Mc Doom has now brought to the fore, these same complaints have been exposed over the years by many individuals associated with Jazz and other aspects of St. Lucian life. Unfortunately none of them have had the independence and testicular fortitude to expose it without feeling intimidated or threatened.


Should we be convinced that the complaints from so many models, designers, and others are all a figment of their imaginations concocted by Vincent Mc Doom as part of some outlandish scheme to discredit the St Lucia Tourist Board? Regardless of how we may feel about Vincent we cannot be misled into believing that this is simply an over reaction on his part by dubbing him a drama queen. This is an overly simplistic explaining away of a situation which requires serious consideration and evaluation.



May the good Lord bless our island,
Guard her sons from woe and harm!
May our people live united,
Strong in soul and strong in arm!
Justice, Truth and Charity,
Our ideal forever be!


St. Lucia nice, more than twice!©

Peace and Love

Monday, April 1, 2013

Oh I do Love to be Beside the Seaside

Some photos from yesterday evening at Reduit Beach, in front of Bay Gardens Beach Hotel, St. Lucia - taken with friends as we watched the sun play with the water before it headed West past our horizons
Golden Seas

Bubbling

Golden Sands

Golden Skies

Soft Seas at Sunset
 Very often, I'll enhance my photos to bring out the feeling I had when taking them - I like to see what art I can draw out of or add in to photographic images - and I'll probably do the same with some of these, but for now, they're all as they came out of the camera - as nature presented itself yesterday - enjoy!
Soft steel

Cool gold
 
Angel Pink White
If you'd like to use or repost or pin my images for non-commercial use - please put a link back to my blog and credit me properly thanks! If you'd like to use for a commercial purpose, please contact me for a watermark free image and pricing thanks!

Tuesday, March 19, 2013

Soapmaking Workhsops

Some of the soaps - de-ee-lish!!
I love handmade soaps - I've been making my own for about 15 years now and recently, a bunch of my friends have been asking if I'd teach them how...so I decided to do a little Intro to Soapmaking class one Satruday...Well, the response has been overwhelming!!! I have run two full workshops the last couple weekends and plan to do one or two this coming weekend too!

They've been a blast! A real mix of people attending - Spa managers, teachers, fellow designers, curious adventurers! And last weekend we were joined by the writer of a great new blog - Island Scene 758 - a blog highlighting all the happenings in St. Lucia - with a growing calendar of events so you will know in advance what's interesting to do and not just after the fact about the things you missed! Take a look at the post about the Soapmaking Workshop here

lining the moulds
Interested? Drop me a line - just $75 EC for a fun and info-filled few hours!

Sunday, March 17, 2013

To Everything its Season

Mount Gimie in the Dry Season sunset yesterday
Sitting watching the gray skies above the yellow-dry grass this morning, willing the rain to fall - the met office rainfall records for the past how many days have remained the same;


"24 HOUR RAINFALL ENDED AT 2:00 PM AT HEWANORRA............NIL.
                                  AT GFL CHARLES..........NIL.       
TOTAL RAINFALL FOR THE MONTH THUS FAR AT HEWANORRA.....1.6 MM.
                                      AT GFL CHARLES...0.7 MM."


We could really do with some rain...but there's always something else that is good for the season

Yesterday I was drawn outside by the sound of bees...bees! Finally! I've been slowly (very slowly) becoming a beekeeper over the last year and have become very aware of the complete lack of bees in my yard - where the thyme, always flowering, would always be busy with bees, it has remained silent this year or so...so when I heard that familiar buzz, I went outside to look up to the tree and sure enough, the bees had come.

They were there with the birds too - lots of hummingbirds, lots of banana birds

But the gray skies kept their rain

So this morning again, the bees were buzzing, so I went out to see them and realized of course, the earth, dry and shrinking, would surely yield up some rocks...here's what I found
'Moon Rock'

4 Quartz pieces picked up under the Flambouyant Tree

3 Jaspers (ish) 

Look at that colour!
I'd still like those clouds to drop the good stuff for us, but to everything its season

Perhaps one day soon I'll have my bees in the back yard making honey, my rocks on the lathe transforming to jewelry and my kiln turning the earth into vessels, beads, shapes and textures full of stories

Leaf Art

Leaf Art too

Flower from the tree the bees are visiting



Sunday, February 17, 2013

Dusty Final Reports - a Feature of Arts & Crafts Development



This article was third in the series I think, but I didn't link to it here, so I'm posting it now and hope you'll enjoy and leave your thoughts too!
Raku glazed traditional pottery - FAO/ Ministry of Agriculture Craft Packaging for Agro-Industries Training
Some people may wonder why, when we finally have a Ministry Department that is specifically dedicated to developing the ‘Creative Industries’ I’m ‘complaining’ about what hasn’t been done…well, yes, it is –hopefully- great that we have this department, but I know many people in my part of the Creative Industries are not holding their collective breath. I’ve had people tell me things like “I went to one of those consultation meetings and it felt like all they were interested in was getting a Rihanna so they could rake in the taxes” Now, granted, I wasn’t at that meeting, I didn’t make it to any of them, and though I did get to speak to the consultant anyway, I’m still concerned; I know many of us worry that our less glamorous arena will be left still to struggle for itself.

You see, it comes back to last week’s issue with the concept of what Creative Products are – or as we call more commonly call them ‘Arts & Crafts’. We think of these as low-income activities that mostly are done by persons who couldn’t succeed in academics, persons who want to just do a little thing and are generally not very professional, can’t run a business, etc.

It was put to me by one of my peers that “…’they’ really don't understand that the (local) music is primarily a local product; It doesn't export readily. Art & crafts export very easily and are able to reach other markets immediately, as we are ready.” In thinking about it, I thought there certainly is some local music that is ready to export, and these days with digital files, they can export super-easy… but that’s it for true, ‘they’ just don’t see the huge potential and much wider availability of ready and almost export ready product in the Arts & Crafts…we’re ready, and those that are not yet, there are relatively easy paths to making them ready … quickly. We even (maybe just with a little updating) have the plans…
Decorative Honey Pots waiting to be fired - Irene Alphonse
 A little history: In 1992 when I was the Craft Development Office in the Ministry of Community Development, I inherited several boxes of reports on an OECS project funded by FEDEAU – years of study upon study of potentially lucrative businesses in arts and crafts…all those reports did was gather dust. In 1997, I was asked to draft a plan for developing the ‘crafts industry’ to submit for STABEX (EU) funding: I did this with NRDF, FRC, SEDU involved, but it was, rightly, I believe, set aside for reconsideration under the bigger umbrella of the Heritage Tourism Project. In 1999, this project brought in a consultant, Annu Ratta, who spent six months doing the research, data collection, projections, etc and wrote up a full proposal. It had mostly the same elements as our original one – why? Because they were sound elements, the plan was based on knowledge of what was needed. It is still largely relevant…but the only ‘actions’ that have happened since are more meetings, consultations and a smattering of small, disjointed projects that barely scrape the surface and leave recipients momentarily excited and then dumbfounded when they realize all the infrastructure and institutional support they need to grow and succeed, just isn’t there and despite being recommended in the copious ‘Final Reports’ is never implemented. We need cohesive development.
Students dying Pandanus at FAO/Min of Agri training
So, to end, let me share an inkling of the size of this industry in St. Lucia …no comprehensive survey has been done so we have to gather and interpret incidental information:  A recent survey put practicing artisans in Choiseul, at just under 200; when I had shops I easily had 100 suppliers, of whom only a few were from Choiseul; In the last year or so, I’ve trained about 50 persons I did not previously know were artisans, there are another 20 or so in the Dennery Mabouya valley area, many in Babonneau and surrounds; each village has a handful or more, not to mention the numbers of people who make and sell crochet, dolls, fashion designers, photographers selling prints, painters, sculptors, jewelry makers, shoemakers…even from the above, you can readily assume there are over 500 individuals currently making part or all of their living from ‘Arts & Crafts’. I feel strongly that if you really made an effort to count, you’d find many more that do, did or wish to. This sector, treated right, could employ two, three or more times this amount and as I’ll talk about next week, provide value to St. Lucia far beyond the dollar earned. This sector needs a concerted focus for development.

And don’t forget, please, leave your comments, ask questions, get involved! Your input really counts!

Wednesday, December 19, 2012

What We Will Lose

When I was in College studying for my Degree in Crafts, I chose to do an option that allowed me to write a ‘thesis’ – I came back to St. Lucia and with a little sponsorship from NRDF and the help of the Ministry of Community Development, I took a look at the history of St. Lucia’s crafts, what was happening then and what prospects seemed to be for the future. It fascinated me and I’ve never lost that fascination – we are a mix of so many influences – a very few seeping through from the Carib days, some from African roots and a lot from more modern demands of commerce.
Livity Art Studio - lost in Hurricane Tomas, this was a haven for local arts and crafts
What I noticed was the distinct lack of a ‘visual language’ in most of what was made – no symbols that tied back to the melange of cultures that shaped us; we’ll very few – tudor rosettes on some woodwork, wooden fretwork fascia boards that harked back to wrought iron you might find in France maybe, a few Carib style huts or walls in Choiseul, but not much, no African symbols – drums, yes, but not adorned with motifs that tied them to their motherland. Somehow our mix of colonialism had done an efficient job of wiping the heart of cultural expression out of our crafts.
Vincent Eudovic - father of all wood-sculpture in St. Lucia - in the 70s, had begun to infuse our fledgling contemporary crafts with a new symbolism – taking inspiration from history and melting into it, images of life in St. Lucia, Rastafarianism, abstracted conceptual forms. ‘The Camp’ carved fabulously in relief and in the round, complex stories coaxed out of remnants of ancient trees and slabs of local timber … their heartwood stories found homes in the houses of many an appreciative connoisseur but try looking for one today in any public place, you’ll be looking a long time. Perhaps Anse Chastanet Hotel and Ladera are the best examples of where this type of work can be seen but I don’t believe they represent the depth that The Camp achieved at their height. Eudovic’s Art Studio remains a tribute to the Master and Jallim continues the tradition in his own way as an artist, celebrated in far flung corners of the world but yet to see, like his father, real tribute to their mastery on home soil.
So, where are we today? How far have we come forward? Forward? Chinese-made busts of our Nobel Laureates in Derek Walcott Square…well, I guess at least we changed the name from the erroneous colonial Columbus Square. And we do have one Ricky George sculpture in town and one at George FL Charles Airport. First Island to have a Cultural Policy - tailor-made for sitting on a shelf with those Final Reports. But still, no museum, no National Gallery, no ‘Percent for the Arts’…and that’s not all folks! We are about to lose a lot of the little that we have if we don’t do something serious and do it soon.
Khus-Khus grass basket, Choiseul Crafts, St. Lucia
When I first worked in the crafts back in 1992, Choiseul had well over 300 active Traditional Crafters – and for those that don’t know, that means persons working in basketry – palama, kus-kus, ti-kanot, awali, ponm dilyenn in three forms: interwoven, tubecoiled and ‘wicker work’. Traditional furniture makers, crafters making fishpots and chair seats with hex-woven strips of bamboo. We had a slew of carvers too – George Gerald, Marinus Francois, Lawrence ‘Uptight’ Deligny amongst others, still carried on The Camp’s tradition and daily trained youngsters at the Choiseul Art and Craft Centre.

Shaping a Canawi - Traditional St. Lucian Pottery
Then there were the potters: St. Lucia still has the largest existing group of Traditional Potters in the English speaking Caribbean – there are about 30 left. They pickaxe the clay from their own land, pound it with African style 3 ft pestles on flat rocks near their work spaces, pick rocks from the mounds of wet clay and shape coalpots, canawi, carafe, leshwit, plant pots, kettles and more using a technique that is straight from Ghana – soft, wet, large ‘coils’ of clay swiftly transform into full bellied vessels on the potter’s knee. It is an outstanding skill. I know, I learnt from a Ghanian potter in college and doing this is not easy. Then this earth, shaped so skilfully is carefully built up one on top the next, high as your nose, with coconut branches, dried tree-limbs and all sorts of wood to form a pyramid for a bonfire. Built and lit in the early hours of a day when the skies are clear and the breeze light and masterfully tended with a 20ft stick as it burns blazing until there is just ash and the yard-mud has turned to St. Lucian traditional pottery.

We pay this amazing tradition scant attention - at most buying a coalpot during October month where we apparently celebrate our Kweyol heritage. We seem oblivious to its value to our culture, to the Quarter of Choiseul where the average income leaves them sitting in 2nd last place on the island's poverty scale.

Bonfiring the pots
Soon though, if we do nothing, we won’t have a clay coalpot for Jounen Kweyol – this is the last generation of Traditional Potters in St. Lucia: it is a tradition passed on from mother to daughter and not one of the children of any of these potters has any intention to carry on in this beautiful but dead-end career. Without action – serious, thorough, practical, proud action - we will lose this tradition.
There are a few who realise what we have, realise the worth and have begun to  try to do something to save our tradition – MacArthur Phillip of Choiseul, Prof. Patricia Faye of Florida Gulf Coast University, myself to name a few, but it is hard to do this in what seems an ocean of disregard.
Steaming the vines for 'Wicker- work" deep in the rainforest
Steaming a Gonmye tree to make a dug out canoe, Praslin, St. Lucia
There are other similar stories, the potters are just my passion – we hardly ever make Gonmye Canoes for instance – I was shocked and happy to see a couple being made at Praslin a few months ago this year, but that’s a rare sight.  The ‘wicker’ workers number 2 elderly gents in Choiseul and one getting-older gent in Dennery. Traditional furniture, hand turned on hand-built, foot powered lathes…there remain two men making these. When last did you see a bamboo fish pot? The Choiseul Art and Craft Centre, last time I visited, was full of souvenirs ‘customized’ for St. Lucia and made in Colombia and hardly a genuine local craft was to be seen. This is government money buying these things. The training rooms are empty  – no woodcarving, no Taiwanese bamboo craft, no pottery – US$70,000+ worth of pottery equipment left to rot in the rains. I feel like swearing to end this article! What on earth are we thinking?